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Stone Lions don’t do subtle. They don’t do soft. What they do is punch you in the chest with sound. Their new single, “Another Night,” is a lean, sharp-edged punk track that doesn’t waste a second. It clocks in under three minutes and leaves a mark.
The Central Coast four-piece has been building momentum for years. “Another Night” is the latest in a string of releases that show no signs of slowing. It follows “Bite Your Tongue” from earlier this year, “Party Next Door” from 2024, and “Story of Us” and “New Year’s Ghost” from 2023. Each track has pushed them further into the national spotlight.
“Another Night” is their most direct song yet. It’s about the kind of night that drags on too long. The kind where sleep doesn’t come, and silence is louder than noise. The lyrics are stripped down and raw. The guitars are jagged. The drums hit like a warning.
Chris Randles and Michael Matthews split vocal duties. Their voices don’t blend—they clash. That’s the point. There’s tension in every line. Matthews’ bass lines are tight and relentless. Randles and Matt Veitch trade guitar riffs like punches. Tim Andrews keeps it all from flying off the rails with drums that feel like they’re chasing something.
Stone Lions aren’t reinventing punk. They’re reminding people why it mattered in the first place. No polish. No pretence. Just four guys in a room, playing like it’s the last night on earth.
They formed on the Central Coast, far from the Sydney scene. That distance gave them space to figure out their sound. It’s not coastal pop-punk, it’s not emo revival, it’s something harder to pin down. There’s melody, but it’s buried under grit. There’s emotion, but it’s never sentimental.
“New Year’s Ghost” was the turning point. That track hit harder than anything they’d done before. It got airplay, it got playlisted, it got people talking. The band didn’t chase the success. They just kept writing.
“Story of Us” was next. It was faster, louder, and more chaotic. “Party Next Door” leaned into that chaos. It sounded like a house show on the verge of collapse. “Bite Your Tongue” brought it back to the basics. A riff. A hook. A scream.
Now comes “Another Night.” It’s not a reinvention. It’s a refinement. The band sounds tighter. The production is cleaner, but not too clean. There’s still dirt under the fingernails.
Lyrically, it’s about insomnia and regret. Not in a poetic way. In a way that feels lived-in. The kind of regret that doesn’t need metaphors. Just a voice cracking on the third chorus.
Live, the song hits even harder. Randles and Matthews don’t just sing—they shout. Andrews plays like she’s trying to break the kit. Veitch’s guitar tone is sharp enough to cut glass.
They’ve been touring steadily since 2023. Small venues. Packed rooms. No frills. Just volume. They don’t do encores, they don’t do speeches, they plug in, play, and leave.
There’s no label machine behind them. No viral gimmick. Just a band that keeps showing up. That’s rare now. Especially in punk. Especially in Australia.
Stone Lions aren’t chasing trends. They’re not trying to be the next big thing. They’re just trying to be loud enough to drown everything else out.
“Another Night” won’t be their last single this year. They’re already back in the studio. Writing. Recording. Repeating. They don’t talk about albums. They talk about songs. One at a time. No filler.
The band’s chemistry is obvious. They’ve been playing together long enough to read each other’s moves. There’s no frontman. No ego. Just four people who are locked in.
Andrews is the backbone. Her drumming is precise but never robotic. She plays like she’s got something to prove. Veitch brings the chaos. His guitar work is unpredictable. Sometimes it’s melodic. Sometimes it’s just noise.
Matthews holds it all together. His bass lines are simple but essential. His vocals are rough, but never off. Randles is the wildcard. His voice cracks. His guitar squeals. He’s not trying to sound perfect. He’s trying to sound real.
That’s what makes Stone Lions work. They don’t polish the edges. They sharpen them.
“Another Night” is out now. It’s streaming everywhere. It’s not going to change the world. But it might change your night.
And that’s enough.
Written by: Paul Y